Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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James Abbott Mcneill Whistler
Nocturne inblauw and silver of the lights of Cremorne

ID: 42792

James Abbott Mcneill Whistler Nocturne inblauw and silver of the lights of Cremorne
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James Abbott Mcneill Whistler Nocturne inblauw and silver of the lights of Cremorne


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James Abbott Mcneill Whistler

American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.   Related Paintings of James Abbott Mcneill Whistler :. | Symphony in White, | Nocturne | Nocturne inblauw and silver of the lights of Cremorne | arrangemang i gratt och svart nr 1 konstnarens moder | Arrangement in Gray Portrait of the Painter |
Related Artists:
Lorenzo di Alessandro da Sanseverino
Italian Early Renaissance Painter, active 1468-1503
Ernest Bruce Nelson
American,a native of Northern California and a graduate of Stanford University 1888-1952
Jean-Baptiste Deshays
French Baroque Era Painter, 1729-1765 was a French painter of religious and mythological subjects.His first training was under his father, the minor Rouen painter Jean-Dominique Deshays, he then spent a little time under Jean-Baptiste Descamps at his Ecole Gratuite de Dessin. He spent time in Hyacinthe Collin de Vermont's Paris studio from around 1740 to 1749 and Jean Restout II's from late 1749 to 1751. Both these had been pupils of Jean Jouvenet, and painted in the Grand Style of French history painting, a style Deshays adopted as his own. While he was in Restout's studio, Deshays entered the Prix de Rome competition, winning second prize in 1750 with His 1750 Laban Giving his Daughter in Marriage to Jacob won the second prize in the Grand Prix de Rome, and his 1751 Job on the Dung-hill the first prize. Deshays served the compulsory three years training at the Ecole des Eleves Prot??g??s (where he learnt from Carle van Loo, its director, and attracted some religious commissions, including two vast canvases, a Visitation and an Annunciation, for the monastery of the Visitation at Rouen), before going to Rome.






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